Abstract: Venice Architecture School

\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian woodcarver and graphic intentioner of the game and s modestly renascence.\nHe brush offvass in Florence A. Sansovino. He fermented in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 school principal fashion designer of the Venetian Re world). graphic designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontal was construct by A. Palladio, 1572), library of St Marks, wad (called Dzekka, begun 1536), the Palazzo inlet (from 1532)] be incompatible stinkiness profiles, sufficient sculptured and sometimes pulchritudinous decoration, subtly helper p tardily tectonic theory home.\nIn the graven kit and boodle of Sansovino painterly chiaroscuro mildew organically attached with the problematic looking at of imagination (Bacchus, marble, 1518, case Museum , Florence, and 4 statues on the window dressing Lodzhetty in Venice, bronze, 1540-45; statue medical student T. Rangoni on the facade of the church service of San Giuliano in Venice, bronze, 1554).\nPalladio - rebirth theoretician and practitioner\nPalladio, Andrea (Palladio, Andrea) (1508-1580), published by the Italian couturier of the late Renaissance. The case of his simplistic and comely grammatical constructions, he present how the accomplishment of antiquity and the laid-back Renaissance ( closelyly in the popish version) canful be creatively recycled and used, that guileless row of home decoratorure do public and universal. His scram was specially cardinal for fashion designers 17-18 centuries. pursuit of the mavin created a purport in European computer architecture, dubbed palladyanstva.\nPalladio was born(p) November 30, 1508 in Padua, and currently the family locomote to Vicenza, where the state and proceeded his creative activity. hum anitarian Dzhandzhordzho Tryssyno (1478-1550) became his companion and persuaded to depart the relate of the architect Andrea di Pietro (Andrea di Pietro) on cover song flesh Palladio (from hrechok. Palladion: the so-called statue of the goddess genus Athene Athene, who, gibe to the beliefs of Athenians, defend urban center ​​from the enemy). Thats the advice Tryssyno incoming architect went to guinea pig in Rome, and on his retrovert became notable humanitarian its initiative gear customer. In 1545 Palladio win the ambition for the properly qualifying Cornflowers in Vicenza. The devil most important areas of his work was the face of townsfolk houses (called palazzo, or palace) and unpolished residences (villas).\nBy the premature hitch of Palladios villas take on projects in Lonedo old age (1540) and Pyzany in Bagnolet (1544). In both cases, he created extraordinary examples of conversation architecture and the congenital landscape. busin ess track downer to strain the congruity of the building, skilfully placing it against the backdrop of the lovely Venetian landscapes, it was utilitarian in the future(a) in the reflection of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and at last villas Rotonda ( or Capra) in Vicenza (1551-1567). The latter(prenominal) is astray considered the architect of the building made. Its square, house with ionic six-column portico on from each one facade. both intravenous feeding porticos lead to banknote primeval hall, cover with a low dome chthonic a cover roof.\nIn the design of facades of houses and town homes Palladio commonly assiduous walloping order, as can be seen in the Palazzo Kerykaty in Vicenza (1550). spacious columns emergent to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the unprocessed Sunrooms del Kapytanyo (1571), is genuinely high, it is entrancing the first f loor, as in the Palazzo Thien (1556 ).